Authors

Advice For Writers #1: Cristina Garcia

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​Last month, author Cristina Garcia spoke at the Comadres and Compadres Writers Conference in New York City. Here are some bits of wisdom.

On Writing: 

  • When you are writing, ask yourself- What am I going to give the reader with these details in this specific sequence?
  • Writing is an act of seduction– there is no room for no typos, only high quality work. You are seducing one person at a time. Your book is stopping everything else that takes up the reader’s time. You’re saying– I’m promising you an adventure you won’t get anywhere else.  You better deliver.
  • Writing in first-person present is the hottest right now. It’s more intimate.
  • Don’t worry about what audience to write for. Instead, focus on making your work sing.
  • Specificity is important in everything, especially characters.
  • Read poetry every day. It’s like a sacred transition into a new space.  It prepares us to write for the day.
  • Poetry finds what you really need to write about. Write about what you don’t know and about what you know.
  • Buy an anthology of poetry. Flip it open. The right poem will find you at the right time.
  • We’re not wasting our day if we’re reading a great book. It feeds us.
  • Kafka had one word of advice: wait.
  • Read your work aloud. Ask yourself: Is it essential? Serving the story? Necessary? Read backwards. Or randomly.
  • Consider the pleasure and obsession principle. If it doesn’t give you either, don’t write about it.
  • We don’t waste time even if what we wrote is not used. Write everything even if it leads to a dead end.
  • Be a ferocious reader. Aspire to write like your favorite writer.
  • Remember to be patient. It took Junot Diaz  10 years to write Oscar Wao.

On getting your work out there: 

  • There are the big publishing houses: Scholastic. Simon & Schuster. Penguin Random House. Harper Collins. Macmillan.  Hachette. But try smaller houses first.
  • Ask yourself- What’s the point of the story? And boil this down to 30 seconds. Compare it to other works to think about how it can be marketed.
  • Have a strong Twitter presence. Follow other writers and publishing houses.
  • Frequent your local book store and library. Speak to book clubs; set up Skype chats. Set up Google alerts. Contact schools to give presentations. Volunteer to read your work to the elderly and blind.
  • Befriend other authors. Blog or Tweet about each other to show your support.
  • Remember, building an author platform takes time.  Show your publisher or agent how you can reach an audience/platform through social media to take some of the burden off of them.

Cristina García is the author of six novels, including: Dreaming in CubanThe Agüero SistersMonkey HuntingA Handbook to Luck, and The Lady Matador’s Hotel. García has edited two anthologies, Cubanísimo: The Vintage Book of Contemporary Cuban Literature and Bordering Fires: The Vintage Book of Contemporary Mexican and Chicano/a Literature. Two works for young readers, The Dog Who Loved the Moon, and I Wanna Be Your Shoebox were published in 2008. A collection of poetry, The Lesser Tragedy of Death, was published in 2010. Her recent young adult novel, Dreams of Significant Girls, is set in a Swiss boarding school in the 1970s. García’s work has been nominated for a National Book Award and translated into fourteen languages. She is the recipient of a Guggenheim Fellowship, a Whiting Writers’ Award, a Hodder Fellowship at Princeton University, and an NEA grant, among others. Recently, she completed her tenure as University Chair in Creative Writing at Texas State University-San Marcos and as Visiting Professor at the Michener Center for Writers at the University of Texas-Austin. (From author’s website.)

More information can be found on her website.

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